Omid Memarian is a journalist and has contributed extensively to the Inter Press Service (IPS) news agency and the Daily Beast, and has published Op-Ed pieces in the New York Times, Los Angeles Times, Wall Street Journal, Time.com, San Francisco Chronicle, Politico and OpenDemocracy.
A World Peace Fellow at the UC Berkeley Graduate School of Journalism (2007-2009), he is the recipient of a “Human Rights Defender Award” (2005), the highest honor given by the Human Rights Watch. As an analyst, he has appeared on MSNBC, NBC, BBC, and Aljazeera amongst others.
Memarian is passionate about art and is an active observer of emerging international photographers and painters.
His own photos were included in an book compilation, “The Great Recession” (2008), published by UC Berkeley’s Graduate School of Journalism. He is also the editor of Sketches of Iran (2013), a collection of 40 cartoons and essays.
Latest posts by Omid Memarian
Nabil's "technique mixes painting and photography, inspired by hand-painted movie posters of the 1940s and 1950s, and is reminiscent of the pre-digital world."
Ali Banisadr's MATRIX 185 exhibition at the Wadsworth Atheneum Museum of Art is the Iranian-American artist’s first solo museum exhibition in the US.
"That which is real does not change, but its shadow can change. Shadow is a two-dimensional representation. It shows us ourselves."
"In my photography, I explore this [Orientalist] space, whether mental or physical, and interrogate its role in gender identity-making, while engaging with centuries of cultural heritage and artistic practices."
"We owe thanks to this wonderful continent that allows us not only to exist but also to give lessons, even if some people want to push us into the corner."
Born in Iran and raised in the US, Hadieh Shafie is fascinated with reimagining the book form, drawing textual forms and exploring color and its emotive power.
Kazim’s works have been exhibited in major international fairs and exhibitions around the world, including New York’s Frieze art fair in 2019.
In October 2019 in Brooklyn, New York, two women artists from Iran and Pakistan exhibited new bodies of work in which they portrayed the interplay between Western and Eastern cultures
"I try to create the potential for suspension between contradictory states that will emotionally and psychologically engage viewers and make them ask questions."
South African multidisciplinary visual artist Siwa Mgoboza is one of the most dynamic emerging artists in the African art scene.
Abdelbaki's art expresses what he sees as the “negative effects of racism, religion, and politics that are all striving to divide us and destroy our faith in humanity.”
Material Culture art exhibition communicates deep personal experiences to transcend cultural borders
The exhibition features the work of five Iran-born artists who use “nonrepresentational forms” and a range of materials to create a visual language that communicates deep personal experiences and transcends...
For Spanish photographers Anna P. Cabrera and Angel Albarrán, memory and beauty are the three pillars of their professional approach to their art.
"[...] being African is really more complex as well and it’s not just one thing. There are different definitions and different interpretations and I just happen to be one of...
"Choosing power as one of the main topics of my work is rooted in the desire to drag it down to the ground and make fun of it."
For these Iranian twin-sister artists, collaboration is “like one person working with her other self”
"'Reincarnation' implies a new life. If we can make the audience wake up and realize the world around them and see the beauty in it, it is a huge success."
Maryam Palzigir's experience fought against both state censorship of artistic expression in Iran and now Western stereotypes of Iranians in the U.S.
"Subjects with conflicts, struggles, and some intensity always compel me to paint, because I think they are important."
"Obviously, the influence of pop culture and traditional Persian calligraphy are at odds with each, but their combined visual impact is harmonious."