Can a literary festival bring Nepali literature to the international stage? · Global Voices
Sangita Swechcha

The session ‘Can literature bring together South Asia?’ in the Nepal Literature Festival. Photo credit: Nepal Literature Festival. Used with permission.
The 10th edition of Nepal Literature Festival, Nepal’s only international literary festival, was held in Pokhara from December 21 to 26 amid enthusiasm and excitement among literature lovers as well as people of different walks of life. With 55 diverse sessions over 5 days, the event was a combination of literature, culture, poetry, and music as well as discussions on different topics that include sports to food, nature to politics, literary translation to creative writing and many more.
Prominent Nepali and other South Asian writers, including Booker prize-winning Sri Lankan writer Shehan Karunatilaka, Indian American author Suketu Mehta, Indian biographer Akshaya Mukul, and Nepali American author Samrat Upadhyay participated in the event. The sessions, particularly those covering creative writing, the art of writing biographies of people or places,South Asian literature, and translation of literature, and various writers sharing their experience, gave literature lovers hope for expanding Nepali literature beyond borders and across the globe.
Writer Mohan Mainali, one of the participants, shared his enthusiasm for attending the event and talked about his session on Twitter:
आजदेखि केही दिन पोखरामा ! अरुका कुरा सुन्छु। धवलागिरि, मनास्लु लगायतका हिमालका छेउमा अनि अन्नपूर्णा र माछापुच्छे अघिल्तिर पोखरामा बसेर ‘महाभारादेखि कञ्चनजङ्घा सम्म’ का कुरा गर्नेछु। pic.twitter.com/utQrVrtMwm
— Mohan Mainali (@mohanpmainali) December 23, 2022
A few days from today in Pokhara! I will listen to others. I will talk about ‘from Mahabhara to Kanchenjunga’ while staying in Pokhara near the Dhavalagiri, Manaslu and in front of Annapurna and Machhapuchhre mountains.
— Mohan Mainali (@mohanpmainali) December 23, 2022
Writer Deepak Parajuli, another participant, gave a virtual tour of the event on Twitter:
नेपाल लिटरेचर फेस्टिवल एक राउन्ड ! 😊 pic.twitter.com/TClWBKysP1
— Deepak Parajuli (@deepak_para) December 24, 2022
A panoramic view of Nepal Literature Festival!
— Deepak Parajuli (@deepak_para) December 24, 2022
Participants were also seen sharing how interesting they found the session on creative writing. A member of the Nepali House of Representatives, Manish Jha, tweeted:
“The Maximum City” का लेखक @suketumehta संगको संवाद “The art of writing” @Nepallitfest मा रमाइलो लागेको एक सत्र । pic.twitter.com/9hmZAvMZVG
— Manish Jha (@manishjhanepal) December 24, 2022
A conversation with the author of “The Maximum City” @suketumehta. “The art of writing” was an interesting session at @Nepallitfest.
— Manish Jha (@manishjhanepal) December 24, 2022
While literary translation from South Asia lags in the global market and Nepali literature is not getting enough international attention either, the literary festival may help bring Nepal’s rich literature to light. Global Voices interviewed Ajit Baral, director and co-founder of the Nepal Literature Festival, via email to discuss the role of the festival in internationalising Nepali literature.
Global Voices (GV): With the festival covering many interesting sessions on diverse topics, are you seeing a different result from previous years?
Ajit Baral, Director and Co-Founder of Nepal Literature Festival. Photo credit by Ajit Baral, used with permission.
Ajit Baral (AB): Every year we try to be as diverse in the topics we discuss and be inclusive of the participants we invite. This festival is no exception. In fact, this edition was most varied in terms of sessions, which ranged from music to sports, politics to social justice, education to animal habits, economy to climate change, libraries to Nepali cuisine, federalism to folktales, and journalism to narrative non-fiction. Whatever the topics, our aim has always been to regale the audience with scintillating conversations and enlighten them with expert knowledge. This edition is no different in this regard, either. That said, our focus was on the craft of writing this year. We had Indian American author Suketu Mehta talking about writing place, Indian biographer Akshaya Mukul holding forth on the art of biography, Nepali American author and professor of creative writing at Indiana University Samrat Upadhyay deliberating on creative writing, and the Booker Prize-winning Sri Lankan author Shehan Karunatilaka on the writing of “The Seven Moons of Maali Almeida.”
GV: How can literary festivals pave a path in bringing Nepali literature to the international market?
AB: I think literary festivals of international stature or scope can help take Nepali literature to the global market in two ways. It exposes local writers to international writers and their works, giving them the confidence and the knowledge to make a breakthrough internationally. And it allows them to network with international writers and builds connections with their publishers or literary agents, which is crucial if you want to succeed internationally. You may have a humdinger of a manuscript, but you need to have it read by someone in the publishing industry, which is very difficult. Having someone to provide a reference for you or, better, promote you, does help immensely.
GV: How do you visualise Nepali literature evolving in the next ten years?
AB: In the past ten or fifteen years, we have seen a growth in the production and publication of Nepali literature in the Nepali language. I think this trend will continue, and Nepali literature will be richer and more robust in ten years from now on. But will we have works of great ambition that are sweeping, experimental and transformative and that will force the world to take notice? I am not sure.
I would like to see more Nepali literature coming out in English in the near future. But I cannot confidently say that it will. Writing for an English weekly in 2004, I had conjectured, somewhat cheekily, that in the next ten or fifteen years, better works of Nepali literature would be written in the English language than in Nepali. Perhaps I was more optimistic then by the international success of Samrat Upadhyay and Manjushree Thapa, but I had solid reasons to believe so. However, that hasn't turned out to be. Once bitten, I wouldn't make similar claims now! Not with all the young, educated class leaving the country at the first available opportunity. I think this is what is sapping the growth of Nepali literature.
GV: What role can the government of Nepal, and national and international literary communities, play in bringing Nepali literature to global attention?
AB: The government can do much. They can support literary festivals, provide grants for the translation of great works of Nepali literature, provide residencies for writers or fund their research for books. As for the national and international communities, they can read as much Nepali literature as they can or get hold of and champion the works that they think can compete with other works of international literature.