The viral feminist flashmob “The rapist is you” (“Un violador en tu camino”) born in Chile is still making waves all over the world as it inspires women to protest sexual harassment and abuse.
“এই দায় আমার নয়, নয় চলন-বলন-জামার
এই দায় শুধু তোর, তুই ধর্ষক”
The fault wasn’t mine, nor where I was, nor what I said, or nor how I dressed
The fault is yours, the rapist is you
The protest happened on January 6 in front of the Bangladesh National Museum adjacent to the campus.
Around 500 cases of rape and abuse had been filed in the Dhaka metropolitan area in 2019.
This online TV channel did a music video with the Bangla song playing over performances in different countries. Clips of the performances were not broadcast in Bangladeshi mainstream media, but went viral on social media.
On another video, some of these students were seen performing the same song in different places and at different times:
The Bangladesh Police have since arrested a suspect of the rape incident.
From Chile to the world
“The rapist is you” became a feminist anthem after Chilean women danced and sang the choreography by feminist collective Las Tesis on November 25, 2019, amid mass protests against economic inequality that erupted the month before.
There have been wide reports of police abuse during the protests. The song, which had been written before the demonstrations began, was a feminist response to that violence as nearly 17 percent of filed criminal complaints against state authorities concerned sexual abuse, according to Human Rights Watch.
This performance was made by Kichwa, Shuar, Waorani, Achuar and Shiwiar indigenous women of the Ecuadoran Amazon:
A transnational feminist anthem
The flashmob was based on the work of Argentinian feminist and professor Rita Laura Segato, who inspired Las Tesis to show that “rape not just as a crime against an individual woman, but the expression of a larger social issue,” as reported by Quartz.
The song therefore targets institutional pillars — “the police, the judges, the state, the president”, as lyrics say — as accomplices of gendered violence.
Athanasia Francis, who's pursuing a Ph.D. on gendered violence in the United Kingdom, noted in The Conversation that “The Rapist is You” gained traction internationally because systemic gendered violence itself is transnational.
This transnational feminist response in the form of a song proposes solidarity and empathy in turbulent political times. It’s calling for an acknowledgement of sexual violence as a systemic and global problem in democratic institutions that, ironically, were created to prevent it.
For Spanish journalist Marta Borraz, the song also relieves women from self-blame when falling victim to sexual violence when the lyrics say “it’s not my fault, nor where I was, nor what I wore:”
La performance pone el foco en la impunidad de la violencia sexual y se ha convertido en un grito colectivo que ocupa el espacio público, una especie de catarsis capaz de concentrar múltiples sensaciones para cambiar el sentido de las cosas y, sobre todo, de la culpa.
The performance focuses on the impunity of sexual violence. It has become a collective cry that occupies public space, like a catharsis that is able to concentrate multiple sensations in order to change how things, especially guilt, are perceived.
In Kolkata, New York, and Karachi
“The Rapist is You” was also sung in protest against visits of high-level politicians. On January 8, 2020, an Indian feminist collective performed the song in Kolkata as part of the widespread protests against Prime Minister Narendra Modi’s visit to the city.
Aopala Banerjee, one of the performers, told Scroll.in that the group “wanted to highlight the patriarchal violence that Modi’s idea of a Hindu Rashtra (Hindu Nation) represents.”
In Karachi, Pakistani women of the AuratMarch2020 movement performed the song in Urdu. They are calling for people to join them on March 8, 2020, International Women's Day, to march “for economic, reproductive, environmental justice, and the right to our city,” as mentioned on their Twitter profile.