Sudan's uprising has been in the works for months now, but the iconic image of 22-year-old Alaa Salah chanting poems and slogans of resistance while standing on top of a car in Khartoum, the capital, went viral, bringing global attention to the revolution. Salah has been likened to Sudan's Statue of Liberty, the nation's Nubian Queen.
I thank you all from the bottom of my heart. The struggle for a democratic and prosperous Sudan?? continues. We will not bow down to Al-Bashir, the tyrant dictator! #DemocraticSudan #Sudan pic.twitter.com/r9ntXBnUfv
— Alaa Salah (@oalaa_salah) April 11, 2019
The original photo of Salah, taken by Sudanese student, Lana Haroun, has inspired artists around the world to exalt Salah as a symbol of the revolution. Artist Amado Alfadni, born and raised in Cairo, Egypt, with Sudanese roots, seized the opportunity to remix the image with the classic “Bint El Sudan” or “Daughter of Sudan” perfume label.
Created in the 1920s by WJ Bush in London, the best-selling perfume has been dubbed Africa's “Chanel No. 5″ and is worn widely by women throughout Sudan and East Africa. The ubiquitous non-alcoholic scent — a musky mix of jasmine, lilac and lily — was first sold not in exclusive shops but public markets, eventually becoming an essential part of weddings and circumcision rituals as a staple in Sudanese women's lives. The scent triggers notions of feminity, power and allure. It's also recognized as having magical and medicinal qualities that stem from Sudan's ancient aromatic and herbal traditions.
Alfadni explains: “Bint El Sudan was my mother's perfume and so [it] was a part of the identity I made for myself as a Sudanese person.”
The original perfume label featured a photograph of a topless young Sudanese woman wearing a traditional Sudanese elephant-hair skirt and adorned with bridal jewelry on her ankles and wrists. It was taken by Eric Burgess, a representative for WJ Bush's business interests in Sudan.
For decades, the image of this young woman traveled from Khartoum, Sudan, to Kano, Nigeria, as traders reportedly began using the heady scent as a form of currency.
Twenty years ago, Alfadni says, Sudan's Islamic regime changed the original image of the topless girl to one wrapped in a modest black burqa in alignment with Islamic values.
Omar al-Bashir ruled Sudan for 30 years (1989-2019) and introduced penal code reforms — based on strict interpretations of Sharia (Islamic Law) — in 1991. Bashir's reforms relegated women to the status of legal minors and restricted their freedom of movement by enforcing strict “morality laws” and gender segregation in public spaces. Women have faced flogging and death by stoning for violating these laws.
“What she wears — that is actually what women used to dress like in my home town in northern Sudan,” Alfadni said in an interview via Facebook messenger. “The same with Nubians of Egypt, I am also Nubian,” he wrote.
Not much has changed about Bint El Sudan's unique formula in 100 years, but the clothing of the young woman on the label has been modified over time to reflect enduring debates about women's modesty.
Bush Boake Allen, the company that produced various Bint El Sudan products beginning in 1966, re-imagined the label with a young woman who resembles the original traditional Sudanese bride but draped in red to cover her chest — a slight modification to accommodate more modest markets, depending on where the Bint El Sudan products were sold.
Women have been on the frontlines of protests that kicked off in December 2018 over the price of bread and spiraled into full-scale demonstrations confronting women's oppression in public and private spaces, among other grievances.
Read more: Women are leading the protests in Sudan
Eventually, protesters called for the resignation of Bashir — who is also wanted for the role he played in numerous alleged crimes against humanity.
Long before women of #Sudan were on streets chasing Bashir out of power, they were on streets protesting morality police, protesting public lashing, protested the sentencing to death of 19 year old Noura Hussein who killed her rapist husband she was forced to marry#SudanUprising https://t.co/UWeSpdZ8pE
— Rosebell Kagumire ♉ (@RosebellK) April 13, 2019
On April 11, after protesters surrounded security headquarters in Khartoum, Bashir was arrested by the military in what has been described as a military coup — that only lasted one day. General Ibn Auf, Sudan's defense minister, called for a three-month state of emergency and two-year transitional government led by the military but stepped down as the transitional leader as protesters insisted on civilian-led leadership.
Ironically, the spicy, sweet scent of Bint El Sudan is now produced in a small factory in Kano, northern Nigeria, — a region terrorized by Boko Haram, a militant group aligned with ISIS. The tightly-secured factory produces approximately seven million 12-milliliter bottles per year, at least 80 percent of the world's demand.
While Alaa Salah's image has brought global attention to Sudan's struggle for regime change — and inspiring artists like Alfadni and others to exalt her as a symbol of the revolution — feminists and activists have warned against the dangers of any single person carrying the burden of revolution, noting that many unnamed women have come before her and that Salah herself has received death threats.
As for Alfadni, he said his decision to remix the famous perfume label with Salah's image was about challenging notions of Sudanese identity: “I am trying to represent the image of Sudan away from anger and extremism.”
I liked the article entitled: The scent of revolution in Sudan.
I admired the idea of linking the present and the promising future of Sudan with the rich history of the country through resembling image of the chanting revolutionist Alaa Salah to “Bint El Sudan” one century ago. The article clearly highlights woman’s role in Sudan, This role enabled women to claim for 40% of the parliament seats in the next civil government. Their claim has largely been viwed as fair and highly accepted.
Thank you for your comment, Hamza!