‘The Queue’ by Abdalla Al Omari. Photo from Al Omari's Facebook page. Used with permission.
With the image of the “vulnerable” refugee dominating media coverage, Syrian painter Abdalla Al Omari wished to flip the script and show the world how powerful politicians would look like if they weren't so lucky.
Enter “The Vulnerability Series“.
He initially launched the series in Brussels, Belgium, in 2016 where he was granted asylum and re-launched it in Dubai, where it ended on July 6, 2017.
“Angela
Oil and acrylic on canvas
200x150cm
The Vulnerability Series
On display till 08/03/2017 at @CcStrombeek,Belgium
(c)Abdalla Omari pic.twitter.com/kMsiF2MgAC— Abdalla Al Omari (@_AbdallaOmari_) 11 January 2017
Omari explained his motivations for the series:
Although I knew little about the internal world of those leaders, the countless, intimate hours I spent with them have taught me more than I could imagine. Just as easily as everything worth defending can become defenseless, moments of absolute powerlessness can give you superpowers.
The idea was to break their image of strength. He detailed on his blog how this made him pity even Syria's embattled President Bashar Assad, whose forces are regularly accused of war crimes and crimes against humanity:
Even I felt sorry for (my version of) Assad. In this universe without gravity, all we can hold on to is our vulnerability. This invisible wind makes our chest heavy, yet, mysteriously propels us back on our feet again. I have convinced myself it is the strongest weapon humankind possesses, way more powerful than the trail of power games, bomb craters and bullet holes in our collective memories. Vulnerability is a gift we should all celebrate.
In an interview with Belgium's De Afspraak, Omari said the “strange feeling of empathy” extended to other politicians:
Everyday I was waking up with them and on my walls.. And there was a moment I had this strange feeling of empathy towards them after seeing them for so long. And this vulnerable state, looking at you, having eye contact with you all the time, telling you that ‘we are vulnerable’, we are weak, even them, I had this feeling of ‘wow, I could even empathize with them’.
Besides Assad, the series depicts US Presidents Barack Obama and Donald Trump, Russian President Vladimir Putin, French Presidents Nicolas Sarkozy and François Hollande, Iranian President Mahmoud Ahmadinejad, Turkish President Recep Tayyip Erdogan, British Prime Minister David Cameron, German Chancellor Angela Merkel and Egyptian President Abdel Fattah el-Sisi.
“It was my personal desire to see them in the shoes of refugees, of vulnerable people to see them in their vulnerable state because they always look so perfect, so divine”, he told De Afspraak.
His widely-shared image of Trump as a refugee was inspired by the story of Palestinian-Syrian refugee Abdul Halim Attar.
Attar, originally from Yarmouk camp in Damascus, and one of over a million Syrian refugees who have fled to Lebanon, received considerable media coverage after he was seen selling pens in Beirut while carrying his daughter. The girl Trump is carrying is wearing the same clothes as Attar's daughter.
Abdalla Al Omari's ‘The Vulnerability Series’ via Facebook. Used with permission.
He also reproduced the infamous photo of residents of Yarmouk queuing for food in 2014:
Yarmouk.
Acrylic on canvas.
140×180 cm.
2016.
The Vulnerability Series.
by @_AbdallaOmari_ via @SultanAlQassemi pic.twitter.com/LzbDhljk52— Omar (@omarsyria) 4 September 2016
Omari's work has garnered a lot of online attention. One video by AJ+ got over 12 million views. In it, he says that “those leaders were partly responsible for the displacement of Syrians. Maybe they will feel what it feels like to be vulnerable.”
Mary Scully, once an independent socialist candidate for the US presidency, suggested taking the imaginary portrayal of world leaders a step further:
There is another preferable way to portray them: in prison uniforms after they've been prosecuted for crimes against humanity.
