@faeriedevilish, blogging for Infoactivismo, reflects on the need to be creative in communicating our protests. Along those lines, the author explains the importance of creativity while referring to protesting events in Ayotzinapa, where photocopies of the victims’ faces were used to attract and generate awareness about the terrible incidents.
Illustrators not only made use of online resources to get the public's attention, but the streets also took the leading role for young people's creativity.
En una ciudad en la que la proliferación de marchas lleva en el mejor de los casos a una saturación, y en el peor de ellos, a prejuicios de clase, hacer que las marchas de Acción Global Ayotzinapa dieran incentivos para seguir participando fue un reto gigantesco.
Y es que marchar es del Contingente Carreola. Marchar es usar tu talento para incidir – como los jóvenes de la ENAP que pintaron las caras de lxs desaparecidxs en Reforma, lxs estudiantes de la Nacional de Música que marchaban interpretando música. Marchar es de quienes cuentan del 1 al 43, y de quienes cambian los dichos machistas por versiones feministas.
Marchar no es aburrido ni tedioso: es una forma de participación social que, de hecho, puede ser bastante divertida.
In a city where a proliferation of marches can either fill the streets or lead to class prejudices, it was a huge challenge to have the Ayotzinapa Global Action encourage further participation.
The march is lead by the Stroller Contingent. Marching uses your talent to have an affect on people, such as the kids from the National School of Plastic Arts who painted their faces reflecting the people who disappeared during the Reform period, and students from the National Conservatory of Music marched while playing music. The march has people from ages 1 to 43 and those willing to change their chauvinist remarks for more feminist ones.
Marching isn't boring or tedious. It's a way to participate in something social and fun.
You can follow Infoactivism on Twitter.
1 comment