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A video posted on Facebook skewering TV giant Globo Television Network's nightly news program for inaccuracies has been removed from the social network after Globo claimed copyright infringement, according to the video's author, Brazilian activist and filmmaker Rafucko.
The video montage, published online on February 18, 2014, took on an editorial from Globo's main TV newscast “Jornal Nacional” (National News) to expose their manipulation of information about protests that have rocked the country since June 2013. In the video, the activist posed as journalist Patricia Poeta (in his humorous version, Patricia “Correta”, meaning “correct”) and corrected the comments of her fellow journalist William Bonner. Both are news anchors for “Jornal Nacional”.
Among the corrections are the role of Globo's journalism in the coverage of the death of cameraman Santiago Andrade during a demonstration in Rio de Janeiro [en]; the false accusations made by newspaper O Globo against State Representative Marcelo Freixo alleging that he was involved with protesters who were accused of killing the cameraman; the network ‘s insistence on calling protesters “thugs” or “vandals”; and its attempts to equate the defensive violence of the protesters with the violence of the military police, which is responsible for 75 percent of attacks against journalists, according to the Brazilian Association of Investigative Journalism.
In just eight hours, the satire had attracted more than 40,000 views, and many viewers republished it on other platforms such as YouTube and Vimeo. However, many of these versions were also censored at the request of the Globo Network, the activist said:
Quem baixou, pode repostar! Em breve reposto, com o slogan: “o vídeo que a Globo não quer que você veja”. Vai ser sucesso. Já é.
Whoever downloaded it can repost it! Soon, I'll repost it with the slogan: “the video that Globo doesn't want you to see.” It will be a success. It is already.
On the same day, Rafucko protested on his blog against what he considered to be censorship:
Não é à toa que um dos gritos mais ouvidos nas manifestações diz “a verdade é dura, a Rede Globo apoiou a ditadura (e ainda apóia)!”
Na última semana vimos a emissora dedicar extensas reportagens e editorias para versar sobre a liberdade de expressão. Desde o início das manifestações, a Rede Globo utiliza sistematicamente imagens de coletivos de mídia independente sem dar créditos ou pedir prévia autorização.
Entretanto, meu vídeo satirizando o Jornal Nacional foi retirado do ar menos de 12h após sua publicação. O papo dos “direitos autorais” eu dispenso.
No wonder that one of the most heard chants in the demonstrations says “the truth is hard, Globo supported the dictatorship (and still supports it)!”
Last week, we saw the broadcaster devote extensive reports and editorials to the subject of freedom of expression. Since the protests began, Globo systematically uses pictures of independent media collectives without giving credit or asking permission.
However, my video satirizing “Jornal Nacional” was taken down less than 12 hours after its publication. All this chit chat about copyright, I dismiss it.
Activist Pedro Ekman criticized Globo Network and commented on the copyright issue:
A Globo é a maior censora da internet brasileira. A retira conteúdos alegando ter direito autoral sobre eles. A Lei de Direito Autoral determina que é LIVRE o uso de pequenos trechos de obras protegidas por direito autoral para fins de crítica e sátira. Mas respeitar leis nunca foi muito a prática da Globo, vide 1964.
Globo is the largest Brazilian Internet censor. It removes content claiming to have copyright on them. The Copyright Act states that it is FREE to use a small snippets protected by copyright for the purposes of criticism and satire works. But respecting laws was never Globo's practice, see 1964 [the year the dictatorship began in Brazil, with the support of Globo].
Journalist Bruno Natal added on his blog:
Nos EUA, por exemplo, essa alegação mambembe de violação de direitos autorais não colaria, porque lá existe uma lei chamada Fair Use (Uso Justo), que permite a reprodução de qualquer material protegido desde que dentro de um contexto pertinente, o que claramente é o caso aqui. Afinal, como o Rafucko pode criticar o editorial sem mostrá-lo?
Isso pra não entrar no âmbito da liberdade artística, antes que alguém venha dizer que ele não precisava mostrar o vídeo, mas bastaria citá-lo (quem escolhe a forma é o artista).
Só tem um nome pra isso e vc sabe qual é.
In the US, for example, this shoddy claim of copyright infringement wouldn't stick because there exists a law called Fair Use, which allows for the reproduction of any copyrighted material within a relevant context, which is clearly the case here. After all, how can Rafucko criticize the editorial without showing it?
That, to not go into artistic freedom, before someone comes to say that he need not show the video, but suffice to quote him (who chooses the way is the artist).
There is only a name for this and you know what it is.
The next day on February 19, Rafucko thanked his followers for republishing the video. In the same post, he stated that before being censored the video had reached 500,000 views online, becoming the most watched of his filmography, and added:
Quando se fala pela liberdade, toda tentativa de repressão e censura amplifica nossa voz.
When speaking for freedom, every attempt of repression and censorship amplifies our voice.
Tatiane Rosset commented on Youpix blog:
Como a internet não é boba nem nada, existem outros meios para assistir o viral, onde Rafucko interpreta Patrícia Correta (piadinha) corrigindo o colega de bancada durante o editorial. Um deles são as várias repostagens feitas no próprio YouTube (uma já tinha mais de 400 mil views quando foi retirada, e outra está em 190 mil).
A outra, é claro, é através do Vimeo. Porque, por algum motivo, todos as pessoas com o ~~rabo preso~~ no país esquecem que o YouTube é o principal, mas não o único meio de veicular vídeos online
A censura, pedida pela Rede Globo por “infringir direitos autorais”, levanta o questionamento: Até onde a liberdade de expressão rola online? O universo digital é realmente livre?
As the Internet is not stupid or anything, there are other ways to watch the viral video in which Rafucko plays Patricia Correct (little joke) correcting her fello anchor during the editorial. One of them are several reposts on YouTube itself (one already had more than 400,000 views when it was withdrawn, and another is at 190,000).
The other, of course, is through Vimeo. Because for some reason, all the people who are ~~compromised~~ in the country forget that YouTube is the leading platform, but not the only means of publishing online videos.
The censorship requested by Globo for “copyright infringement” raises a question: How far does freedom of expression go online? Is the digital universe really free?