Catherine Falk studied how Chinese and Laotian Hmong diaspora groups maximized the YouTube to preserve and popularize their culture, in particular the playing of qeej, an iconic Hmong reed mouth organ.
Written byMong Palatino
- English
- українська
- Español
- Français
- Malagasy
- 日本語
- Italiano
- русский
- Ελληνικά
- Esperanto
- Swahili
- عربي
- Português
- Nederlands
- Deutsch
- Filipino
- বাংলা
- polski
- 한국어
- srpski
- Қазақша
- ਪੰਜਾਬੀ
- 繁體中文
- فارسی
- Türkçe
- Yorùbá
- नेपाली
- ᱥᱟᱱᱛᱟᱲᱤ
- bahasa Indonesia
- Български
- Svenska
- Română
- Dansk
- Shqip
- हिन्दी
- Ўзбекча
- Igbo
- Català
- македонски
- čeština
- اردو
- Aymara
- 简体中文
- ଓଡ଼ିଆ
- አማርኛ
- Magyar
- كوردی
- မြန်မာ
- پښتو
- ⲛογπίⲛ
- עברית
- Tetun
- ភាសាខ្មែរ
See all those languages up there? We translate Global Voices stories to make the world's citizen media available to everyone.
Learn more about Lingua Translation »
This site is licensed as Creative Commons Attribution 3.0. Please read our attribution policy to learn about freely redistributing our work Some Rights Reserved