Kazuo Ohno, legendary performer and one of the founding fathers of Butoh, passed away on June 1st at the age of 103. A quote from his bio provided by the Kazuo Ohno Dance Studio:
When he dances, he vitalizes himself. An ordinary old man becomes a somebody who gives power to others. People love to encounter Kazuo because of that. He lives long, he moves people deeply. Kazuo Ohno is an artist who has enlarged human potential.
Butoh is an avant-garde dance form that originated in post WWII Japan, characterized by white body paint and conceptual, tortured movements.
This is a clip from “Beauty and Power” called “Admiring La Argentina”. Directed by fellow Butoh founder Tatsumi Hijikata and premiered in 1977, the piece is a tribute to the Spanish dancer Antonia Mercé (known as “La Argentina”), whom Ohno saw on stage in 1929 when he was 22.
Many reflected on the times they had seen Ohno perform and how it impacted them. Michiko Murayama at the True Colors blog, on the first time she saw La Argentina, several decades ago:
Beautiful, comical, pure, spirited, and full of love… this was his existence.
During this period, I was spending my days and nights absorbed in creating dance pieces with my fellow dancers, trying to break new ground. When a person thirsts for change, it is natural for feelings of fear and uncertainty to surface. We chanced upon his performance at a time like this, and I remember that we left the theater elated, having received endless courage and energy.
Base player koyu also lists his experiences and concludes:
Ohno Sensei, thank you so much for the many years.
Blogger fujita244 said:
His international fame came after reaching his 70s, and he danced on into his 80s and 90s. It was during this time that I became a fan.
For his 100th birthday, 47 photographers who were inspired and in some ways even defined by him, put together a photo exhibition titled “Kazuo Ohno as caught on film by photographers”. The committee was headed by Eikoh Hosoe, a pillar of modern Japanese photography.
Even after he lost mobility, Ohno found ways to express himself using his arms and torso: