Taiwan: LiveCast and music for saving rural livelihood · Global Voices
Portnoy Zheng

Agricultural issues are getting more and more attention recently in Taiwan, sadly not because of the vibrant development of the agricultural sector, but quite the opposite.
In March, I reported about the debate on Statue of Rural Renewal that was about to be passed in Legislative Yuan. Given all the problems and controversies in the Statue, the Council of Agriculture had been pressured by a coalition of farmers, scholars, and social activists to organize more public hearings, in particular in rural areas for collecting more public opinions. However, these public hearings have been neglected by mainstream media, and the only way the public get to know the discussion and debate is via citizen journalists who have participated in the hearing and posted their reports at online platforms, such as  dfun.com (zh) :
Citizen reports on public hearings
On April 21st, Kaohsiung County, citizen journalist Relax reported:
美濃林英清先生也表達公聽會並沒有達到政府資訊真正公開，他是自己上網下載條例看了五遍，認為條例中有許多問題，但是也無法在公聽會中表達意見。…
最後，李分局長似乎沒有聽到這些質疑的聲音，說出「今天民眾全都是支持農再條例」的結論準備總結高雄場公聽會，但台下馬上有民眾回應「哪裡有！」
The next day, in Hualien County, peggy reported:
開放發言的時間到了，看著現場許多聽不懂國語、不會寫字的老人家，我擔心不會寫發言條的他們，是否會有發言權？
果然，上台發言的幾乎全都是立委、議員、社區發展協會總幹事、村長。…
聽完一場不談農村再生發展條例內文，也沒有任何政府與民間對話與回應的公聽會，我跟阿公、阿嬤一樣，在離開時領了便當。
The bureaucratic and formalistic public hearings were under serious criticism online and finally President Ma Ying-jeou agreed to meet the anti-Statute activists in the Presidential Palace(zh) on April 29th. During the meeting, Ma required Chen Wu-siung (陳武雄) the Chief Councilor of the Council of Agriculture to review the whole Statute and post the revised Statute online “if necessary”.  However, nothing had really changed after the meeting and the majority of Legislative Yuan are determined to pass the Statute before May 20th, a day marked the inauguration anniversary of Ma's presidency.  Activists then initiated a “citizen public hearing” via webcast. They call this activity “3 small media Webcasting“:
LiveCast
苦勞網、台灣環境資訊協會是就是二小媒體，但三小媒體還有一小就是「你」。
第一次跨媒體合作將會在5月26日上午九點半，台北立法院現場進行網路直播，三小媒體也邀請公民記者、部落客、地方組織者、社區營造團隊一同參與「台北現場報導」或參與「地方端點直播」。
希望將辯論現場畫面傳送到農村與社區，你可以協助報導在地的聲音、將討論農再的心得繼續投稿民間媒體。 農再的討論不能只在官方辦的公聽會中草率結束，地方更可以以主動的方式，要求官方來地方辦公聽會，透過網路直播在一起檢視公共政策是否有問題？激盪起真正 「由下而上」的討論，非讓「由下而上」成為政府卸責的口號。
We wish to show the debate of the Taipei public hearing to other rural villages and communities. Apart from LiveCast, you can also help by covering local voices or submitting your view on the statue to other civil media. The discussion should not come to an end in those official public hearings. We expect the LiveCast to encourage local communities to be more active in demanding the government for local public hearings, and the LiveCast would allow people from across the country to discuss public policy together. We need to realize the genuine “bottom-up” discussion process rather than letting the government turning the “bottom-up” consultation into mere slogan and political performance.
Farmers-activists also use twitter , stickeraction, justin.tv, and other social media to spread the above message.
However, recently president Ma faced a new wave of political crisis after the mass rally and over night sit-in protest against his China policies on 17th of May. Public attention might be directed to more dramatic political controversy rather than “regular law enactment”, like the Statute of Rural Renewal.
Songs and musics
Meanwhile an indie band, Hao-Ke (好客樂團) took another approach to raise public awareness of Taiwan's rural crisis. Members of the band are all farmers and they have recently entered the entrant list of the 20th Golden Melody Award on Best Bands. Indeed, the cultural approach is very effective.
Ecogoodies recommended Hao-Ke's album “Love to Eat Rice”:
這是我喜愛的一張專輯”愛吃飯”，是好客樂隊的主唱陳冠宇，在2006年離開喧囂的城市，走進台東池上的有機稻田，開始耕田計畫…
跟許多人一樣，我早早就離開生長的家鄉，自此在都市裡停留，家鄉的記憶也總是愈來愈遠。每次，感覺受傷或是失望的時候，就會想起家鄉空氣和土地的味道，讓我想要回到最先出發的地方，找到重新來過的力量。
Photo by Guan Yu, the vocal of Hao-Ke.
Hao-Ke described  their feeling after they were nominated in the Award on their official blog:
現在我待在田裡的時間更多了，每天心繫著田地裡的植物，覺得心頭充實。金曲獎反而成了惱人的外務。我做音樂的目的不是為了金曲獎；但他的力量卻又那麼強，讓我不得不把它掛在心上，心情跟著它起起伏伏 …..
They started the experimental project of “rice coop” about 3 years ago. Ke Zhi-hao, the guitar player of Hao-Ke explained their idea and daily routine of the “rice cooperatives” on e-info.org:
我們在農田中演出，下田插秧除草，替稻米拍攝紀錄片，攥寫文章，攝影，寫歌，製作唱片，甚至將我們種的有機米，在台北女巫店演出時實地煮給來看演出的觀眾們一起享用
我們相信健全的市場機制是提供較多的選擇，可以使整個市場更強韌與增加彈性，生產者不再只有藉由仲介者來進行行銷，甚至可以選擇一半透過仲介者，另一半自己直購
The band uses wikimapia to show the location of their farmland, and encourage audiences and fans to join the cooperation.
Apart from Hao-Ke, bands like Country Boys (zh) and Sheng Xiang also convey their love, sorrow, and anger for the disappearing Taiwanese agriculture through their music. These bands and musicians also actively participate in street gatherings or protests against destructive agricultural policies and globalization.
Artists and activists in Taiwan are cooperating more and more frequently on various social issues though their influence is still weak when compared with the government and big corporates. But joint handedly, they make the civil society more vibrant .
Last but not the least, please listen to “I Don't Want to Be a Farmer Anymore”, a song full of anger depicting the erosion of Taiwanese agriculture and rural life, performed by Country Boys when they attended “Free Burma, Free Aung San Suu Kyi” concert last year.