Haiti, U.S.A.: Musical Militia · Global Voices
Janine Mendes-Franco

AfriClassical quotes author Michael Largey in its profile of Haitian classical composer Occide Jeanty (1860-1936): “By performing pieces that had extramusical programs referring to Haitian political resistance, the Musique du Palais National, with Occide Jeanty conducting, became a symbol of Haitian resistance, albeit in musical, not military terms.”