My name is Steve Ntwiga and this is my first post at Global Voices Online. I will be trying to fill a small part of Obi's huge shoes as I post on bloggers and sites that cover African music.
From soccer moves to a dancing sytle
Lets start with Teju Cole at Modal Minority who looks at drogbacité. This is a new dancing style coming out of Abidjan based on the football moves of Didier Drogba, an Ivorian soccer player who recently won Africa's Footballer of the Year award (that's soccer for those of your who may be in North America).
The first real explosion of this was in the months leading up to the World Cup, when Drogba’s brilliance steered the Elephants to an unlikely first-ever berth in the tournament. Around that time, the dance style known as Drogbacité emerged in Abidjan, nominally based on Drogba’s moves, and it was soon followed by dance tracks specifically dedicated to it.
The post includes a track, Boucantier, that is representative of the new type of music emerging around the dancing style which is taking clubs in the Ivory Coast and West Africa by storm.
Remembering the Godfather of Soul
As a tribute to the recent death of James Brown, matsuli music brings you his legendary 1974 Kinshasa performance. This was part of the “African Woodstock” musical build up to the Rumble in the Jungle fight between Mohammed Ali and George Foreman.
The death of this music legend was also noted by Ray at AfroBeat Trainspotter with a link to James Brown's page on Myspace.
I go chop your dollar!
In the meantime, Dibusse Tande at Scribbles from the den examines 419 cyber scams. He writes about a popular song, I Go Chop Your Dollar, which ridicules wealthy Americans and Europeans who fall far these scams.
About a year ago, Nigerian artist, Nkem Owoh (aka Osuofia) released a song titled “I go chop your dollar” which ridicules Europeans and Americans who fall for these scams. Although the song is a satirical happy-go-lucky number, it immediately became the unofficial 419 anthem – and its provocative lyrics virtually started a race war on the Internet:
Oyinbo* man I go chop your dollar,
I go take your money disappear
419 is just a game,
you are the loser I am the winner.
(Onyibo* means a white person)
Finally, a (belated) link to some bloggers who posted end-of-year rounds-up covering music from some African perspective.
Soundroots.org, a site that never fails to educate and entertain has a fantastic world music mp3 collection to bid 2006 adieu. It includes some hiphop by X Plastaz, a group from Tanzania, which fuses Maasai traditional music and urban hip hop and Konono #1 of Congo whom I have blogged about in the past.
Matt also has an end of year recap post – 2006 Rewound podcast – that contains the African tracks that listeners liked best in 2006 on Matsuli. But hurry as it will disappear soon. I also carried an end-of-year round up reviewing the most popular tracks on ntwiga.net for 2006.
The 3rd Annual Kenya Music Week was this last December in Nairobi with the theme “Music Piracy = Poverty”. The event featured an exhibition, talent show and performances from some of Kenya’ top musical artists and was a huge success. Kenya Music Week is an annual event organized by PHAT! Music & Entertainment Limited and Triple P Kenya Publicists who are working together with the aim of “developing the Kenya Music Industry into a professional, transparent and profitable business”.
Count Reeshard at no condition is permanent, has a post on Pamelo Mounk'a from Congo Brazaville, which focuses on his release “No.1 Africain”. Pamelo Mounk'a is an African musical legend who performed with such greats as TP OK Jazz and Les Bantous de la Capitale, a Congolese national institution before breaking out on his own.
Best Ambiance has a link to Jon Kertzer's January 1st Best Ambiance session at at KEXP radio featuring music from a host of African countries (including Zimbabwe, Madagascar, South Africa, Senegal, Ethiopia, Nigeria, Mali, Algeria, Kenya, Ivory Coast, and Congo in just this one session) for you to listen to online or download. The session includes some great highlife – a musical genre characterized by the use of multiple horns and guitars that came to popularity in Ghana in the 70s and 80s, which is experiencing a popularity revival around Africa.
We are closing with Radio palmwine. Emeka Okafor's Timbuktu Chronicles links to Radio Palmwine, a new online radio station service that aims to to increase the establishment of Nigeria and African Diaspora music worldwide.
RadioPalmwine's vision “…is to increase the establishment of Nigeria and African Diaspora music worldwide, and also to provide financial support for talented struggling artists and industry professionals representing such countries. We are developing strategies to help emerging musicians from Africa, cross over the barriers of the conventional music, arts and entertainment industry and take advantage of the emerging digital marketplace for global entertainment…”
The RadioPalmWine website also carries 4 feature stations that are profiled on the front page and also allows users to download tracks.